Friday, January 1, 2021

A State of Waiting

Waiting for Spring - 14 x 18 Oil

This January I feel like a herd dog, trying to keep all the stray ideas penned up in the corral, lest the coyotes drag them off  during the dark of the moon. But at the same time, the prospect of a new season has me glancing ahead toward a future with new and re-claimed freedoms,


Dig It - 6 x 6 Oil

a re-connection with the Earth, and its


Possibilities - 16 x 20 Oil

I'm working on the sequel to A Coward's Guide to Oil Painting - the Novel, thinking about friends and family, missing our get-togethers. Meanwhile, let's celebrate quietly.

Peace

Thursday, November 26, 2020

Happy Thanksgiving

 I wish:
I could confer on the world the universal capacity for synesthesia – the ability to touch sound, to listen with the eyes, to see the flavor of something, to feel the way light hits a leaf and sends a prismatic vibration through the atmosphere . . . to taste a picture.
And I would awaken the desire in each of us to listen to all our neighbors with whom we share the miracle of life on this planet.
Thank you, thank you, thank you, MM Kent.


On the Beach by MM Kent

Sunday, October 18, 2020

Announcing a Front Yard Event

 

WINGS AND ROOTS STUDIO

Book Signing and Open House

Sunday November 15 from 1– 5

Front Yard Event

spaced, masked and sanitized

 



. . . with MM Kent’s Artwork and copies of

his debut novel available

 

219 W. South St.

Fayetteville AR

www.mmkent.net

270-313-9660

Saturday, October 17, 2020

The latest book review on Amazon

 

 

A Coward’s Guide got its first 2 star (out of five) review today. I’ve been wondering when this would happen. All along I’ve told people, “You’ll either love it or hate it.” This Amazon lover hated it. Let the book’s title be a clue: If you have no interest in art, then take a pass. MM Kent


Amazon Lover 

Reviewed A Coward's Guide to Oil Painting by MM Kent

in the United States on October 13, 2020


2.0 Low Quality - Two Stars


     I tried to get into this book but the story was simply not up to par. The author did an okay job of describing the setting but a very poor job of developing the characters. This ultimately led to the story being hard to follow and digest. The author seems to rely too much on the art side and too little on the writing side.

     I have rated it 2 stars as fans of oil paintings may find some pleasure in it. Outside of that, it's a pass.

 

 Note –

First person characters develop from the inside out. A Coward’s Guide is written almost entirely in first person, which means the reader must be able to empathize or else all is lost. :)



Empathy by MM Kent
[SOLD summer of 2020]

Thursday, September 17, 2020

Radio Interview with MM Kent on KUAF Radio, Fayetteville AR

My friend Jacqueline Froelich produced this interview about my novel, A Coward's Guide to Oil Painting on KUAF radio. Thanks, Jacqueline!

 MM Kent interveiw on Ozarks at Large on 9-15-2020.


WEEKDAYS AT NOON AND 7 P.M. AND SUNDAYS AT 9 A.M. ON 91.3 FM



Saturday, August 15, 2020

Review of A Coward's Guide to Oil Painting



This editorial review comes from AuthorsReading.com:

 https://www.authorsreading.com/book-reviews/mm-kent/a-cowards-guide-to-oil-painting/

a-coward-s-guide-to-oil-painting-.jpg

MM Kent, author of A Coward’s Guide to Oil Painting, is a genius. Not only is he a recognized painter in the world of art, but also a creative wordsmith. His novel begins with an explosion. Set in 1969, the plot weaves from West Texas to New Orleans, Mexico, and back to Texas with minute details that make the storyline believable. It is obvious that the author is well acquainted with his settings and the historical timeframe of the era of free love, civil rights, politics, race relations, and the Vietnam War. Perhaps he even lived in some of the scenes he narrates. It should also be noted that the novel’s captivating cover is a creation of Kent’s extraordinary grasp of art.

Kent’s character, Blaine Grayson, is believed to have been killed when his small private plane loaded with Mexican marijuana crashes in a bleak West Texas cow pasture. The story then gives a glimpse of Blaine’s back story as the scene shifts to his younger brother, Cliff, and his brief, life-changing encounter with a woman whose identity he failed to get. The saga continues with the two main characters, Mariah and Cliff, alternately telling their stories as they independently set out to learn the truth about Blaine’s airplane accident. During the search, Mariah poses nude for painting and sculpture classes, while Cliff paints in watercolor and later in oils.

Kent is a master in developing believable characters, as in:  “A tall gaunt man…the image of a funeral director or a riverboat gambler, pale-skinned… in a black vest, crisp white long-sleeved shirt, black slacks and shined shoes.  A large bent nose, wire-rim glasses, and a New York accent….”  Both Cliff, a young high school graduate running from the law and Mariah, a wild hippy chick, are complex and believable. They each advance the plot with alternating action, flashbacks and mysterious surreal experiences. The author weaves artistic theories, terms and techniques to create multiple layers of meaning like a palette knife painting including marijuana smuggling, murders, greed and grief. Sensuous action, music lyrics, luscious landscapes, Spanish language and delicious Mexican dishes make a spicy mixture, but when Mariah slides a slimy oyster down her throat and gags, “It comes back up, and [she] chase[s] it across the table with a napkin, snagging it before it heads to the floor.” White-knuckled action may get under the skin and into a reader’s nightmares but the bleak shadows of despair and mayhem are highlighted with quirky humor. A background quest for romance, a kidnapping, political intrigue and murder combine to bring the story to a roaring, twisted climax.

The visual imagery expressed in a painting and the mental imagery evoked by coherent writing are both forms of imaginative communication. Rarely does a visual artist/creative writer successfully accomplish both as well as Kent has done with A Coward’s Guide to Oil Painting. 


Reviewed by: Carole W